![]() "DEALING WITH REALITY: Crumb looks back at his work in 1972–73, his obsession with old music, and performing with the Cheap Suit Serenaders," Crumb on Crumb (June, 1992). ^ Robert Crumb, Maxon Crumb (edited by), Crumb Comics: The Whole Family Is Crazy!, Last Gasp, 1998, pp."My earliest memory of comics is the way they smelled!". "A new documentary focuses on Robert Crumb – Crumb highlights the cartoonist's dysfunctional family". ^ a b Robert Crumb, "Family History,".Your Vigor for Life Appalls Me: Robert Crumb Letters 1958–1977 (Fantagraphics, 1998).The Complete Crumb Comics (Fantagraphics, 1997–2005).Robert remarks, "Whenever he said that, it always took the wind out of my sails." Ĭharles Crumb died by suicide in February 1992, aged 49, reportedly by overdose. Crumb describes how Charles would often react to things by saying "How perfectly goddamned delightful it all is, to be sure." It was a catch-phrase of his. His artwork, including notebooks filled with tiny gestural marks that suggest handwriting, has been published and exhibited, sometimes in the context of outsider art. Charles Crumb and his artwork received wide public attention as a result of the success of the 1994 feature-length documentary film Crumb, in which Charles and some of his work are featured prominently. In Charles's adult years, his artwork exhibited repetitive and painstaking concentric lines, filling in otherwise normal, Crumbesque drawings, reflecting an obsession with filling every last centimeter of white space. 1972, Charles was staying in a Philadelphia-area psychiatric hospital, where he was visited by Robert, who subsequently drew a story, "Fuzzy the Bunny in 'Nut Factory Blues,'" that was mostly made up of dialogue between the two brothers taken from Robert's visit. ĭuring his adult life, Charles never left his family home, where he lived with his mother, and rarely ventured outside. ![]() Throughout the years, Charles remained constantly terrified that his sexual tendencies would be discovered by his mother, or by anyone. As a teenager, he had already developed a particular obsession for Bobby Driscoll, child star of the 1950 Disney film Treasure Island, and much of his artwork focused on themes and characters from the film and novel. According to his own testimony, Charles Crumb never succumbed to his urges, and remained determined not to. He later said that he had " homosexual pedophiliac tendencies". ![]() Īs Charles entered adulthood, he began showing signs of mental illness. For instance, in 1970, Robert redrew an early Fuzzy the Bunny story written by Charles in 1952 it was published in Zap Comix #5. Robert later created several works adapted from things that he and Charles did as children, as well as telling stories about Charles in his comics. The two brothers drew comics together as children, often about "Animal Town"-one of the characters of which was Fuzzy the Bunny, who served as an alter ego for Charles, his creator. Life Ĭharles often appears as a character in his younger brother Robert Crumb's comics stories and autobiographical writings Robert credits Charles's childhood obsession with making comics as the foundation of Robert's own devotion to his art. He is best known for his on-screen role as a subject in the documentary film Crumb. (Ma– February 1992) was the older brother and original childhood mentor of American cartoonist Robert Crumb. Philadelphia, Pennsylvania, United StatesĬharles Vincent Crumb Jr. ![]()
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